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A very special event took place in a small town in Westchester, New York. The Jacob Burns Film Center hosted a 3-week long retrospective of the films of Korean auteur, Bong Joon-ho, much in demand after his international success with the ambitious Snowpiercer

After the screening of the haunting Mother, remastered into black and white, Bong and producer, Dooho Choi sat down to talk about the retrospective, gave us exciting news about his upcoming projects, and revealed why after Haemoo, heíll never produce another movie.

Dig it!

 

Bong Joon-ho

 

The Lady Miz Diva:  Thank you so much for telling me about this special screening of Mother.  Seeing it on the big screen in black and white made it feel like I was watching the movie for the first time.  It was even more powerful and engrossing.  What did it mean to you to transfer the film into black and white?

Bong Joon-ho:  It just started out of curiosity with my DP; what would it feel like as a black-and-white film?  Everything else - the sound and the editing - is exactly the same. So, I was curious and that was the starting point of this transfer.  Iím not sure why, but when I saw the finished film, I saw different things in the performances, as well.  Iím not quite sure, but just little details came to the surface more. For the overall film, I felt that the black-and-white sort of focused your view of that.  So, if the government said, ĎYou have to pick one version over the other,í I would want the black and white one to survive. {Laughs}

 

LMD:  Will the black and white version get a theatrical release?

BJ-h:  Itís never been theatrically rereleased, but thereís a Blu-ray of this version, and it played at the Hong Kong film Festival, Mar del Plata and in Busan, and some cinematheques in Korea.  Small, small screenings.

 

LMD:  Talking of revisiting your work, we are here because this film is part of the big retrospective of your features.  Iím curious whether seeing these movies - some of which are now almost 12 years old - all together with an audience like this, made you compare Bong the filmmaker then, versus Bong the filmmaker now?

BJ-h:  Itís hard to go back.  And Iím also worried about what itís going to be like for the next 15 years.  Iíll leave it to my producers to think about.  I feel like Iím lost in the forest and trying to find my way back.

 

LMD:  Speaking of leaving things to producers, you are now a producer, yourself. {Bong produced Haemoo, directed by his Memories of Murder writing collaborator, Shim Sung-bo.}

BJ-h:  Did you see the movie, Sea Fog?

 

LMD:  Haemoo, yes!

BJ-h:  Thank you.  Thank you for watching my last produced movie. {Laughs} Itís definitely the last one.

 

LMD:  Why?

BJ-h:  Because I am a very bad producer.

 

LMD:  Why?

BJ-h:  I have to focus on directing.

 

LMD:  So, does having produced make you appreciate Dooho {Choi} more?

BJ-h:  Yes. {Laughs} Itís a different dynamic.  Iím not good at saying no, and I feel like thatís a big part of producing.  So, Iím always like, ĎYeah, letís do it. Letís try it.í  Itís not good.  The schedule goes over, the budget goes over.  So, there was a lot of problems that came up during that movie. And itís just my personality; I donít enjoy meeting financiers.  Iím supposed to coax more from the financiers, and Iím not good at that. I just like to hang out with the crew on set and talk to them. {Laughs}

 

LMD:  Snowpiercer was a success and brought you to the attention of audiences worldwide.  Has that given you more options and openings to make a broader type of film, or broadened your vision of the type of film you are able to make?

BJ-h:  For me, personally, itís too early to say it like that, but for me, maybe, Snowpiercer will be the biggest budget movie in my lifetime.  It means I want to make smaller, smaller, smaller movies.  We are already preparing our next project, which is relatively smaller than Snowpiercer. Bigger than The Host, but smaller than Snowpiercer.  And thereís another one thatís even smaller.  The main thing for me is to be able to make the film that I set out to make, and to have that control; so going smaller is important to me.

 

LMD:  So there are two films in the works?

BJ-h:  Yeah, the others are kind of coming together, but this next project that Iím doing, thatís the thing that Iím focused on primarily at the moment, and I just finished my first draft.  Thereís going to be some shooting in New York.  40% of the shooting is in New York, the other 60% is in South Korea.

 

LMD:  Since itís being shot here, should I assume that itís going to be in English, or will it be a mix like Snowpiercer?

BJ-h:  The main character is a Korean girl, but the supporting actors, there are some English-language actors.

 

LMD:  Are they both projects that youíre writing?

BJ-h:  Itís an original idea.

 

LMD:  Back to Haemoo for a moment. What was it like to work with Director Shim in the capacity of producer versus as a writing partner?

BJ-h:  On Memories of Murder, we wrote together, and he was also one of the assistant directors, and I knew that he was having some difficulties becoming a director himself.  So, that was really the starting point of wanting to produce that film, was to give him that support so he could make his debut, but I feel like I didnít do a very good job.  

But, actually, for a feature film debut, the Haemoo movie is quite tough.  Itís not easy to shoot.  Itís quite difficult a movie, because almost all the story happens on the ship, in the ocean. Do you remember Steven Spielberg after he made Jaws? ďI will never go back to the ocean, again!Ē And he never really did go back.  Shooting on the water is really hard.  For a first-time director, shooting on the water mustíve been just really been a lot of difficulties.

 

LMD:  Well, youíve sworn off producing, but I felt quite bad to have heard director Shim talk about the love story that he really wanted to make that kept getting turned down.  With the success of Haemoo in South Korea, do you think youíd be able to help him get the love story made at last?

BJ-h:  Itís true that I saw the original play and bought the rights and I thought it would make a good film, Haemoo, but I never saw myself as being the director of that because of the love story.  And actually, Director Shim has written several love story/melodramas and heís quite adept at telling those types of stories {so he thought he'd be appropriate for Haemoo}.  And {regarding Shim's love story} Iím gonna help him.  I know that script very well, itís a very nice script.

 

Producer Dooho Choi shared that Director Bongís impending film project is called Okja and they plan to film in New York next spring.  

Choi will be on board as producer for both films Bong mentioned in the interview.

 

~ The Lady Miz Diva

March 30th, 2015

 

Special thanks to Lori Zakalik of the Jacob Burns Film Center and the excellent Mr. Dooho Choi for their invaluable assistance with this piece.

Click here to read our interview with Director Shim Sung-bo for the Bong Joon-ho-produced hit, Haemoo, which made its New York premiere during Lincoln Centerís New Directors/New Films festival.

 

 

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Photos  

Exclusive Photos

 by L.M.D.

Stills courtesy of Next Entertainment World/Magnolia Pictures

Other Bong Joon-ho photos courtesy of the Jacob Burns Film Center

 

 

 

 

 

 

 

 

 

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