Zen
and the Art of Pounding Things Really Hard. Good thing I don’t come up
with movie taglines, but that kind of captures a lot about the premise
of The Drummer, the story of a boy who finds himself by hitting the
skins.
Not as bizarre
as it sounds, really. A slightly more elaborate rundown goes like this;
Sid runs wild in the streets of Hong Kong. Under a scruffy mop of hair,
in denim and chains, he plays drums in a punk band and gets involved
with dangerous women. A neglected rich kid, Sid is mad at the world, but
mostly mad at his dad, Kwan, a notorious underworld figure, for being
the ruthless bastard he is to his own family. Sid’s resentment doesn’t
stop Kwan from doing all he can to save his son once Sid sticks his
fingers in another man’s honey pot and falls for the mistress of a Triad
boss even more ruthless than his pop. Finding the Triad leader’s
vengeful request for one of his son’s hands too big a price to pay, Kwan
shuffles the miserable Sid off to the backwoods of Taiwan, where he’s
meant to hide until Kwan can calm things down.
Having absolutely nothing
to do in the rural town, the restless punk is lured deep into the
mountains by the sound of drums. Sid discovers the practice camp of a
group of Zen drummers and the hypnotic power of their playing has Sid
insisting on joining the group. The wild and unruly boy has nothing in
common with these musicians who gather to void themselves of all ego,
anger and desire - all things that pretty much make up Sid’s entire
being. So, in order for Sid to become a member of the group, he has to
be broken down and cleared of all the emotion and hostility that has
ruled his life.
While closely
resembling Japanese Taiko drumming, the philosophy of the Zen drummers
is different. Where Taiko drummers use and project their emotions to
bring sound from their drums, Zen drummers release their emotions to
allow the drum to play through them. Deep, no? In the following weeks
Sid is shorn of his wild tangle of hair and slowly severed from his
rebellious life through manual labour, repetitive menial tasks, yoga and
martial arts. Eventually, the group becomes the family Sid never had and
he honours them with his hard work.
However, all is not as blissful back
in HK, where Kwan’s ruse is discovered and he is set upon by scheming
rivals and spies inside his own gang who want him gone. Still, for all
Kwan’s brutality, he gives his son whatever he can to make him happy,
accepting Sid’s participation with the Zen drummers and even supplying
them with an entire new set of expensive drums. Kwan’s only wish is to
keep his son safe even after he is set up by the Triad traitors and sent
to prison. Having let go of his anger towards his father, Sid comes to
an understanding with Kwan and of his own self that he can only express
through the voice of the drum.
Much of the
success of The Drummer lies in its excellent casting. Here is the first
time Jaycee Chan is really allowed a showcase onscreen and The Drummer
is a clear sign of his promise as a dramatic actor. The puppy dog eyes
and sweet demeanor I’d seen in lighter films like The Twins Effect and
Invisible Target don’t begin to scratch the surface of Chan’s
performance here. The stillness of post-enlightenment Sid shows a
thoughtful Chan, still very present despite the characters newfound
inner calm. The revelation for Chan is his performance the wild and
crazy Sid of the first half of the film; out of control and full of fury
at whatever he can get his hands on.
The brilliant Tony Leung Kai-Fai {The
Lover}
as Kwan is a slightly more controlled version of his psychopathic Triad
leader from Election. Kwan’s fatherly affection for his grown children,
who he cannot properly show his love to, is tangible and shines through
his eyes even during his rages. One of the most gripping moments finds
young Jaycee Chan opposite Leung, who is a compressed powerhouse as Sid
screams his rage at the father he loves and hates. I guess I should
probably mention that Jaycee Chan is the son of Hong Kong action god
Jackie Chan, but I’m going to be good and not speculate about that
amazing scene. All I’ll say is for anyone who’s seen the teen-idol
favourite Jaycee in his previous confections; one had to wonder where
that deep wellspring of anger came from. The Drummer is a must-see for
anyone curious to know if Jaycee Chan stands any chance of ever stepping
out of Jackie’s long shadow. His performance in this film convinced me
that while Jaycee is still growing and learning as an actor, he can
accomplish acting performances his dad never could.
Hong Kong pop star
Josie Ho is fabulous as Sid’s older sister, who’s basically raised the
boy and regularly protected him from dad’s volatile temper; in one scene
she loses a tooth for her troubles. Ho is feisty, funny and strong and a
great foil against Leung the raging Kwan. I would have loved to have
seen more of her and am hoping director Kenneth Bi writes a sequel for
the animal rescuing character. For all the turgid drama, there is a lot
of humour in The Drummer and it’s delivered by its leads with a
wonderful light touch.
The music
performed by the actual Zen drumming group cast in the film, U-Theatre,
is phenomenal. The power of their music casts an almost-mystical spell
and gets under the skin from the start. The film opens with a stage
performance featuring a supine Sid carried above the shoulders of the
troupe in a cross-like formation. He’s placed on the ground and left
alone, reviving only to beat the drum on the stage opposite him.
There
is much symbolism in The Drummer, but the main theme of inner change,
letting go and rebirth are wonderfully explored. Beyond the beautiful,
restive cinematography of the lush, green mountains of Taiwan, Director
Bi strikes a nice balance away from the gangster device - those Hong
Kong scenes nicely shot in dark, murky half-tones against blaring neon -
which at times threatens to overwhelm the film.
Bi pulls the disparate
worlds together simply by letting the spiritual world of Zen drumming
and the rituals of U-Theatre reveal themselves and directing his
wonderful cast of actors to do some great work in this lovely, touching
story.
~ Mighty
Ganesha
Aug. 15th,
2008
PS:
Click
here for an exclusive chat with the creators of The Drummer, director
Kenneth Bi and producer Rosa Li!
© 2006-2022 The Diva Review.com
|