Hey
boys and girls, we had a chance to interrogate the director and stars of
The Spirit,
the newest entry into the comic book superhero movie stakes. Sit in as
writer/director
Frank Miller
and stars
Samuel L. Jackson,
Eva Mendes,
Scarlett
Johansson
and Sarah
Paulson
discuss their other costar in the film, the fabulous and outrageous
costumes. Triple luv to
Sam Jackson
not only for being as cool we knew he’d be, but for blowing our minds by
revealing his
Otaku
cred with a
Shurayuki Hime reference!
Dig it.
The Spirit Press Conference
The
Lady Miz Diva: The
amazing costumes in the film are practically a costar. Frank, did you
always have the idea to use the costume changes to mark the different
chapters?
Frank Miller:
I suggested that there be
different costumes for Sam and that all the women really look great.
And I worked hard on Gabe {Gabriel
Macht}’s costume,
because at first it really looked foolish, until we spruced ya up *to
Gabriel Macht* with the black outfit and
everything. But for what
{costume designers}
Michael Dennison and Michael Crow did, I take no credit.
The Lady Miz Diva:How did the cast members feel about their costumes? Were any of you
able to collaborate on your looks, and did you have a favourite outfit?
Samuel L. Jackson:
Well, I had a great time…
FM:
Oh, it was my idea to make him a Nazi, though!
SLJ:
Well, the Nazi outfit is something that goes back to original comics.
There’s a Third Reich element in the comics, so we just used it as an
element in the film that works very well. The Germans
loved
it.
{All
laugh}
The Germans in Berlin were so
hot; they got Scarlett as the poster girl for this year.
FM:
They’ve got posters of her in that SS outfit all over the place.
SLJ:
All over.
We were talking about the
costumes and we did things and when we started discussing my killing of
the clones is when we got to the samurai outfits and all this other
stuff and we started talking about the ermine and all the other things.
But
the big discovery for me was, Scarlett and I shared a makeup trailer, so
when I would go in in the morning they would be making her up and I
would look at her and they had these beautiful colours of eye shadow on
her. I’d go, “Wow, I should try some of that,” so, I got my makeup
artist to start experimenting with eye shadow and I would put it on,
then I would run in there, “So, Frank?” *throws
his arms out, turning his head from side to side, blinking furiously*
FM:
And I never looked back.
SLJ:
He’d go, “I love it,” and I’d go back to the trailer and then I’d go,
“Well, if I’m wearing a Nazi outfit, I should have lightning bolt
eyebrows!” Lightning bolt eyebrows, “Frank!” He’d go, “I love it.” From
that point on, it was just a matter of me just kinda running in doing as
much as I could to myself, even down to those ermine eyebrows.
Eva
Mendes: It was such
a dream for me to get so wrapped up in this character. I mean, how many
times and I gonna get to play a woman who’s been married 14 times and
killed almost all of her husbands and play a jewel thief? The fun part
for me was definitely putting on the glamour and wearing the clothes,
but because the core of this woman was pain, and we can superficially
look at it and say, ‘Oh, God she’s a diamond thief. How superficial,
diamonds, yada, yada, yada…’ But when I realised that because of her
past and not having anything be stable in her life that a diamond is
actually a rock and a rock symbolises stability and it’s so solid: Once
I found that foundation, then it made me realise where she was coming
from, so I can go big and I can be as ridiculous as I wanted to be,
whether it was in hairstyle, or action, or in wardrobe, as long as I was
rooted in this major need to fill that void. I had a fantastic time and it’s
from one of my favourite periods, when women were dames, they were
broads. They weren’t afraid to speak their minds and to throw out a
curse word every now and then, so it was fun for me to say the least.
Sarah
Paulson: My
character didn’t really have an over-the-top quality with the costumes
or the look, which I kind of liked, and was also absurdly jealous of.
I’m in the makeup chair and I’d see these pictures of the continuity in
Eva and Scarlett. And Scarlett had these eyelashes with
feathers
coming off of them, it was amazing. The thing I liked about the part was
there’s not a s ingle woman in this movie who’s a damsel in distress,
there’s not a single woman in this movie who isn’t a strong woman. Frank
changed my character a bit and made her a surgeon, so that I’d have this
reason to be around The Spirit all the time and fixing him and healing
him. *To Frank Miller*
And you used a blue colour palette for my character, I think?
FM:
Yes, I did. That was when I wasn’t splashing blood all over your
scrubs.
Scarlett
Johansson: Well, my
character, I think these are her humble beginnings, I feel like, in a
way. She’s a medical, scientific mind and I think that she’s using this
as a great opportunity to extend her schooling, in a way. She’s working
for somebody who has this huge plethora of wealth and equipment and
these grand ideas, and so for her to be able to put into paper all of
his crazy ideas is just a way for her to experiment. She says at the end
of the film, “Who knows what she’ll do?” She’s movin’ on up!
And as far as all of my
costumes, I mean, all of my costumes obviously directly correlated with
Sam’s costumes, and so they just said, “Sam looks like this.” And I was
like, “Oh! What does my costume look like?” “Yours is this,” and it was
always like a quarter of the size of Sam’s costume. But I love that - as
Eva said - that fabulous, golden age of Hollywood the 1940’s, beautiful,
beautiful costumes. I love my geisha costume, just because…
it’s a geisha costume,
y’know? Why not?
FM:
And also she showed up with that day with the parasol. That really was
one of the main things that made that scene work, she just showed up
that day with it and it was like, ‘Yes…’