Powerful
is the first adjective that comes to mind when discussing Tyson.
Stunningly candid and emotional, the new documentary on the fallen
boxing champion hits like a punch to the gut. What did I care about this
guy who came from nowhere and through the fluke of a superlative
athletic gift, rose to the top, had it all, and pushed away his
blessings with both hands through the bad advice of sycophantic
parasites or because of his own self-destruction? Director James Toback
made me realise I cared a lot more than I thought.
Like many New Yorkers, I had my own interest in the rags-to-riches story
of Mike Tyson a young boy who grew up rough in pre-Giuliani
no-man’s-land Brooklyn; a thug who preyed on innocent people, who was
rescued from the purgatory of the juvenile penal system by an old man
with a vision. In young Tyson, Cus D’Amato, who trained champion Floyd
Patterson in the 1960’s, saw the potential in this rough clay that he
would mould into a champion and one of the greatest boxers of all time.
In the first 20 minutes of his documentary, Toback fixes the camera on
Tyson, who can barely push the words out, seizing on emotion while
reflecting on his mentor, the only father figure he ever had (D’Amato
legally adopted Tyson) and the only person who’d ever believed in him.
Months after the pair have trained the young fighter to his win first
professional bout by a first round knockout, D’Amato dies and Tyson of
today weeps uncontrollably recollecting being a pallbearer at D’Amato’s
funeral and realising all he’d lost emotionally. Watching Tyson mourning
even now, nearly twenty-four years after his mentor’s passing, it’s
clear that although he reached incredible success without D’Amato by his
side, this is where Tyson lost his way.
At twenty years old, Iron Mike Tyson becomes the youngest heavyweight
champion in history, eventually owning the three titles from the WBA,
WBC and IBF simultaneously. The champ lives the good life and that
mostly means nightclubs and easy women; he candidly gives us play by
play into a typical evening out on the town, complete with Tyson’s
unique sexual terminology. As boxing’s biggest star since Muhammad Ali,
the world was Tyson’s oyster, inside of which was the woman who was once
his pearl, Robin Givens, and a grain of sand called Don King; each would
make an irreparable mark on Tyson’s life. Toback plays the Barbara
Walters interview under Tyson’s voiceover description of the simmering,
impotent anger he claims to have felt while Givens vented about being
“terrified” of her husband to millions of viewers. Tyson skewers
ubiquitous boxing parasite Don King as a man “who would kill his mother
for a dollar.” Tyson doesn’t play the victim, acknowledging his youth
and bad behaviour in his “disastrous” marriage to Givens and his
gullibility in trusting King with his finances. One place where you will
hear no mea culpas is on the subject of Tyson’s 1992 rape conviction.
Calling his accuser, Desiree Jackson, a “wretched swine of a woman,”
Tyson breathes fire when discussing the trial and its outcome, which
made him lose all faith in the justice system. The terror Tyson
describes while serving three years in prison, is truly chilling. He was
the world heavyweight champion and if he was scared for his life, what
does that mean for anybody else? After Tyson’s 1995 release, a flurry of
matches brings him back into the boxing spotlight as he reclaims two of
his three titles. A match with Evander Holyfield ends in controversial
defeat as Holyfield repeatedly head butts Tyson, bringing about a
rematch and Tyson’s infamous sharp-toothed revenge. Discredited and
disgraced, Tyson takes on a number of scrub matches and loses. His final
interview is heartbreaking; Tyson has given up and admits he just
doesn’t want to box anymore. All the heart and hunger is gone; the
inspirational story of the kid from Brooklyn who came from nothing and
rose to the top of the world was over, his talent and potential
carelessly squandered. All that was left to the public of Mike Tyson was
this tattered reputation and sadness of what could’ve been.
Tyson doesn’t ask for pity or even understanding; James Toback told me
he approached his sessions with the fighter like he was a psychoanalyst,
bringing up subjects and letting Tyson go. It’s the free-form monologue
that gives vent to Tyson’s self-described rage and madness and voices
inside his head. It’s impossible to not feel for the small, fearful boy
who was victimised repeatedly by thugs in his Brooklyn neighbourhood
until he became one of them, making his first trip to Spofford Juvenile
Center at age 12. An instructor at the facility gave Tyson his first
instruction in boxing basics and set his feet on the path that would
bring him to the attention of trainer Cus D’Amato and the wild beast
becomes tamed and focused under the old man’s tough tutelage. Would that
D’Amato had lived a bit longer to see the young boy into maturity; his
untimely exit left Tyson rudderless and unguided just as his fame began
to attract all sorts of “leeches” into his sphere. There’s no way to
tell if his presence would have made a difference in the overnight
celebrity’s life, but Toback’s film makes it clear that D’Amato’s
absence left a hole in Tyson’s soul that hasn’t filled to this day,
despite his quiet life around his adorable brood of children.
The documentary isn’t all Kleenex bait; there are some genuinely funny
moments due to Tyson’s own off-hand delivery of very candid
recollections and yes, some choice malapropisms. The archival fight
footage, including some early home movies, allows us to recall Tyson’s
amazing fighting style; it’s too easy to forget what a sensation he was
based on pure athleticism alone before all the fame and foolishness got
in the way. Along with uncanny natural talent, Tyson’s discipline made
him a skyrocket in the world of sports, and losing that discipline, as
evidenced by the Holyfield biting incident, gave way to the voices and
madness again. Toback uses split screens and overlapping audio to
represent what he saw as Tyson’s multiple personalities and the effect
is mesmerising. During Tyson’s harrowing remembrances of prison, Toback
has Tyson read Oscar Wilde’s poem, The Ballad of Reading Gaol, written
after Wilde himself was incarcerated; a risky and unlikely choice that
makes perfect sense when you’re watching it. Perhaps controversially,
Toback isn’t interested in getting other points of view on his subject,
telling me, “No one’s gonna be as interesting as Mike, anyway.” I
wholeheartedly agree: The intense focus on no one’s side but Tyson’s
works when so many others in press, television and print have had their
say. This is Mike Tyson’s autobiography, there’s nothing else that is
going to capture him at his most raw, and ironically, undefended.
Toback has struck a brilliant balance choosing an enigmatic,
controversial subject and laying his portrait against a frame both
beautiful and brutally unblinking, yet the movie is tremendously
entertaining. Whatever your preconceptions might’ve been about Iron Mike
before walking into the theatre, prepare to question everything you
might have thought, good or ill, after watching Tyson.
Extremely well done.
~ The Lady Miz Diva
April 22nd 2009
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