A
peroxide-blonde boy trudges uncomfortably through the halls of his high
school. Patterning himself after his idol, rapper Eminem, this young man
is neither Slim nor Shady. Morton Schmidt is one of those unfortunate
teenagers for whom high school will mean semesters of hell until he
finally graduates. A brainiac who studies hard, but never had one
requited romantic relationship and is the target of jokes by the
school’s popular, dumb jock. It’s no small irony when Schmidt, the
brainy nerd and Greg Jenko, the muscle-bound doof, meet again years
later at the police academy and form an unlikely bond that allows each
of their qualities to compensate for the other’s flaws. Schmidt helps
Jenko through his written exams and Jenko trains Schmidt to meet his
physical requirements. Neither one is exactly top of their class, but
they become such a team that after earning their badges, they’re posted
together on bike patrol in the local park, never getting a chance to
crack down on real bad guys. Their idyllic assignment sees them doing
nothing more perilous than arresting a pot smoker and even that goes
terribly wrong. Ready to chuck the pair off the force, their captain
assigns the two bunglers to a mission where their youthful looks and
stunted personalities stand a chance to be useful. An old undercover
program infiltrating drug activity in high schools is revived to stop
the rise of a powerful new narcotic. Will returning to high school so
many years later prove even more hazardous for Schmidt and Jenko than
uncovering the drug ring?
Less of a remake of Stephen J. Cannell’s original television cop drama
than a latter-day comedic continuation, 21 Jump Street is surprisingly
fresh, clever and a lot of fun. The filmmakers know full well their
audience will contain cynics expecting a winking spoof or a warmed-over
remake of the 1980s series and they meet that challenge head-on, not
only surprising the doubters by embracing them but creating something so
funny and well-executed that satisfies the entire audience, including
those totally unfamiliar with the TV show. Focusing more on the series’
somewhat dubious premise of adult police officers being made to pass for
high school teenagers, we get a lot of laughs from Jenko and Schmidt
being totally out of touch with what today’s kids consider cool.
Suddenly, it’s hip to study, be environmentally aware and politically
correct. Jenko is shocked to find himself the unpopular one, left to
hang out with the nerds -- which are the only thing about high school
that hasn’t changed -- while Schmidt, doing all the things that were
considered so uncool in his teen years, sails through the social strata,
even gaining a jailbait love interest. This reversal of fortunes causes
friction between the two pals who still have a job to do other than try
and pass their classes and plan their homecoming dates. The original
post-high school relationship between Schmidt and Jenko is endearingly
written and gives substance to their later falling out. One can’t help
but side with Jenko, whose brawn-over-brains approach to life has made
him a fish out of water in this Bizarro-world version of high school.
We see the two cops early in the film, desperate to do Dirty Harry
stuff although Schmidt can barely hold a gun and neither guy is
particularly concerned about weapons safety. Their loose cannon
policing style provides more slapstick laughs as do wacky visuals like
the appearance of “Korean Jesus” in the church that serves as the
undercover team’s base of operations. The offhand verbal gags hit their
marks as well, including a hilarious meta moment when the cranky Jump
Street captain scathingly puts down any skepticism from both the
officers and the audience that this mission -- and thereby the movie
itself -- is some kind of lame remake or regurgitation of the past.
Speaking of the past, there are plenty of affectionate homages and
references to the original series in word, deed and personage.
As Schmidt and Jenko, Jonah Hill and Channing Tatum play off each other
surprisingly well, with Tatum showing an unexpected flair for
slapstick. Hill gives Tatum the sympathetic role as the former BMoC who
is out of his depth with this return to high school and miserable at his
estrangement from his best friend. Hill also brings in comedy pros like
The Daily Show’s Rob Riggle as a very enthusiastic phys ed coach, The
Office’s Ellie Kemper plays a teacher who goes all Mary Kay Letourneau
at the sight of the buff Jenko. Dave Franco, who appeared in Superbad
with Hill as well as a bunch of Funny or Die shorts is the leader of the
cool kids the cops need to get in good with to track the drugs. Being
set in the world of high schoolers, raunchier humour is to be expected,
but those laughs are balanced by the film’s sharp, thoughtful script,
coupled with some freewheeling improv by its game-for-anything cast.
21 Jump Street is canny enough to know how to laugh with its subject,
not at it, which lays a good foundation for its clever script. The
movie is a success and a lot of fun thanks to its fast-flying,
off-the-cuff humor and affectionate regard for its 1980s television
roots.
~ The Lady Miz Diva
March 8th, 2012
Click here for our Exclusive Interview with 21
Jump Street's directors Chris Miller and Phil Lord.
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