MightyGanesha.com
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Poor
Bernie Rubens, as if being the most-ignored member of his family wasn’t
difficult enough, the bespectacled, Jewish 12 year-old now has to
compete for attention on the biggest day of his young life with the
biggest thing to happen to British sports since beer.
Sixty Six
recounts the (mis-)adventures of a geeky, primary school lad
during that tumultuous year. Bernie feels like an outsider in every
sense of the word: His OCD-plagued father is too hemmed-in by his
condition and busy running the family grocery store to give much time to
anyone. His mother’s every spare moment is spent keeping after Bernie’s
brash, boisterous older brother – the same brother who torments the meek
boy for such unforgivable infractions as walking on an unsanctioned side
of their shared bedroom rug. Even Bernie’s school clique of nerds and
misfits is mystified by what exactly it means that their friend is
Jewish. All this invisibility is going to change for Bernie because as
he is lectured by his rabbi, on the day of his bar mitzvah everyone
gathered will see the overlooked boy become a man. Well, the temptation
to reveal this amazing metamorphosis to all those who’ve discounted
Bernie in the past is too great and he intends to seize his special day
by the horns. Bernie plans an all-star, no-holds-barred celebration in
fancy hotel attended by the most celebrated Semitic personalities in
London. Bernie’s handwritten invitations to pop singer Frankie Vaughn
and the famously infamous Brothers Kray will surely guarantee their
arrival. Bernie’s planning makes him happier than he’s ever been and all
seems to be going well until the impossible occurs. The much maligned
English football team somehow makes it into the playoffs. Bernie’s joy
transforms into a heated obsession as he wills the team to lose so the
entire country won’t be swallowed up in footie nationalism and someone
will actually attend his imperative celebration. His mother refuses to
move the date of the bar mitzvah and no one takes the boy’s anxiety
seriously since the English team has never made it past the first round
of playoffs. Between his worry about his bar mitzvah, the football World
Cup and his family’s financial woes, Bernie is one twelve-year old with
a lot of weight on his small shoulders.
Sixty Six
is a charming, “true-ish” story of its director Paul Weiland’s own
experiences growing up in mid-1960’s North London. During my interview
with Weiland, he related that many of the things onscreen; Bernie
feeling slightly apart from his friends because of his exotic (re:
non-C of E) religion,
his father’s OCD, and both parents’ off-handed, neglectful treatment of
Bernie had its seeds in reality with a healthy dose of cinematic
license. There is a wonderful blend of humour along with the pathos, so
while you feel badly for the maligned Bernie, the film doesn’t become
maudlin. Overly-sticky at the slightly syrupy end perhaps (- Notting
Hill schmaltz-meister Richard Curtis is alleged to have been involved
with the writing, after all), but it doesn’t detract much from the
heartfelt laughs and thoughtfulness of the previous eighty minutes.
Weiland also has a dedicated cast at his disposal, each finding the
heart in their respective characters and walking a fine line between
honest, nuanced portrayals and pastiche. Eddie Marsan and Helena Bonham
Carter as Bernie’s thoughtless parents have the unenviable task of
keeping this mother and father whose youngest son is an afterthought,
from appearing to be heartless monsters. Marsan also has to juggle that
aspect of Manny Rubens with Manny’s OCD-borne quirks and natural
eccentricities, some of which prove catastrophic to the family. The sad
hangdog eyes in Marsan’s oversized head doing most of the acting for
him, he avoids sweeping into broad caricature, but retains all the
comedy in the script. Young Gregg Sulkin in his acting debut is all big
glasses and wicked overbite as our young hero. Sulkin has a natural
charisma as the continually disappointed tweenager and handles both the
comedic and the sadder moments with a lovely touch without becoming
precocious. One notable scene gives Bernie a heartbreaking speech where
he at last addresses all the grievances done to him by friends family
and the English football team; the sequence is all the more poignant as
the camera pulls back from Bernie’s sad face and shows he’s delivering
his litany to no one but the four walls of his bedroom. Even that
melancholy moment is tempered nicely with laughs as his brother turns up
once again to shoo Bernie off his precious rug, bar mitzvah or no.
Released in
England in 2006, Sixty Six’s portrayal of a Jewish family in late
twentieth-century London lovingly examines both their similarities and
distinctions with the Gentile world around them while allowing the
viewer to find themselves within its four-eyed, adorably geeky hero.
Sixty Six’s release in the US contends with the summer’s blockbusters,
but that shouldn’t stop anyone from taking a look at this very funny,
touching and sweet film.
~ Mighty
Ganesha
July 30th,
2008
© 2006-2022 The Diva Review.com |
Photos
(Courtesy of First
Independent Pictures)
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